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supported by 9 fans who also own “Velocity”
One of the best modern electronic albums I've ever heard. This falls under the genre Com Truise coined as "Mid-Fi Synthwave Slow-Motion Funk" and just nails that vibe while being totally original.Killer sound design and compositions, I wish some songs would never end!These tracks make me feel like I'm escaping the Galaxy in a 2023 Countach at 99% the speed of light, blasting the Initiate pink cassette in a 1988 black and green Alpine tape deck. Never stop writing. I'll buy everything you make.
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supported by 8 fans who also own “Velocity”
I absolutely love the dark feeling of "Vain Specialty"
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On the gorgeously unsettling new record from Ariahindream, haunting vocal melodies drift through dark, swirling clouds of electronics.
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Sweet and nostalgic synthwave conjures dreams of a forgotten ’80s in its twinkling tones.
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Melbourne artist Dream Fiend channels synth funk, nu-disco, and chillwave into neon-lit soundscapes slicked with ’80s nostalgia.
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supported by 7 fans who also own “Velocity”
When I heard that this album was about to come with Chemical Legs, She Melts, and ID(4U), I knew that I would buy it on day one. It's very rare for an artist to publicly release demos; in fact, Com Truise was the very first one within my knowledge to do that, the second being Blank Banshee just months later. When songs become sort of rare and invisible to surface-level fans, it really makes them a lot more special, and to release them later in a more polished, "official" fashion is a smart move.
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